My dear Mr FitzGeorge!' cried Lady Slane. 'You really mustn't talk as though my life had been a tragedy. I had everything that most women would covet: position, comfort, children, and a husband I loved. I had nothing to complain of - nothing.'
'Except that you were defrauded of the one thing that mattered. Nothing matters to an artist except the fulfilment of his gift. You know that as well as I do. Frustrated, he grows crooked like a tree twisted into an unnatural shape. All meaning goes out of life, and life becomes existence - a makeshift. Face it, Lady Slane. Your children, your husband, your splendour, were nothing but obstacles that kept you from yourself. They were what you chose to substitute for your real vocation. You were too young, I suppose, to know any better, but when you chose that life you sinned against the light.

"One cannot, I find, talk to a knitter. Conversation may seem to be going in that greased, easy way essential to all good conversation; starting hares too lavishly to follow them up; allowing pauses for rumination; bursts for sudden eagerness; digressions, returns, new departures, discoveries of rooted creeds or new ideas — sooner or later the challenge is bound to come: "Don't you agree?" or "What do you think?" "Yes?" says the knitter, startled but polite, "seventy-five, seventy-six — just a moment till I get to the end of my row — seventy-seven, seventy-eight — yes," she says, looking up brightly, "it's all right now. What were you saying?" But of course one has forgotten or no longer cares."

I saw within the wheelwright’s shed The big round cartwheels, blue and red; A plough with blunted share; A blue tin jug; a broken chair; And paint in trial patchwork square Slapping up against the wall; The lumber of the wheelwright’s trade, And tools on benches neatly laid, The brace, the adze, the awl;

Lady Roehampton was not a young woman; but she was still, though not without taking a certain amount of trouble, beautiful. This question of the middle-aged woman’s beauty and desirability has never sufficiently been exploited by novelists.

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It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.

Virginia wasn’t all cool intellect by any means. She had the warmest and deepest and most human of affections for those she loved. They were few, perhaps, and she applied alarmingly high standards, but her love and humanity were real, once they were given.

And still the strange meaningless conversations continue, and I wonder more and more at the fabric which nets the world together, so that anything which I do finally incubate out of my system into words will quite certainly be about solitude. Solitude and the desirability of it, if one is to achieve anything like continuity in life, is the one idea I find in the resounding vacancy which is my head.

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