A man. All men. He will pass up a hundred chances to do good for one chance to meddle where meddling is not wanted. He will overlook and fail to see chances, opportunities, for riches and fame and welldoing, and even sometimes for evil. But he won't fail to see a chance to meddle.

...I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words.

Look. You are playing poker (I assume you know poker, or at least — like a lot of people — anyway play it.) You draw cards. When you do that, you affirm two things: either that you have something to draw to, or are willing to support to your last cent the fact that you have not. You dont draw and then throw the cards in because they are not what you wanted, expected, hoped for; not just for the sake of your own soul and pocket-book, but for the sake of the others in the game, who have likewise assumed that unspoken obligation.

...he remembered his uncle saying once how little vocabulary man really needed to get comfortably and even efficiently through his life, how not only in the individual but within his whole type and race and kind a few simple cliches served his few simple passions and needs and lusts.

History is not was, it is.

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.

"Quentin did not answer, staring at the window; then he could not tell if it was the actual window or the window's pale rectangle upon his eyelids, though after a moment it began to emerge. It began to take shape in its same curious, light, gravity-defying attitude — the once-folded sheet out of the wistaria Mississippi summer, the cigar smell, the random blowing of the fireflies. "The South," Shreve said. "The South. Jesus. No wonder you folks all outlive yourselves by years and years and years." It was becoming quite distinct. He would be able to decipher the words soon, in a moment; even almost now, now, now.

"I am older at twenty than a lot of people who have died," Quentin said."

That was when I learned that words are no good; that words dont ever fit even what they are trying to say at. When he was born I knew that motherhood was invented by someone who had to have a word for it because the ones that had the children didn't care whether there was a word for it or not. I knew that fear was invented by someone that had never had the fear; pride, who never had the pride.

A man or a race either if he's any good can survive his past without even needing to escape from it and not because of the high quite often only too rhetorical rhetoric of humanity but for the simple indubitable practical reason of his future: that capacity to survive and absorb and endure and still be steadfast.

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