William Faulkner Quotes

The aim of every artist is to arrest motion, which is life... and hold it fixed so that 100 years later, when a stranger looks at it, it moves again.

That's sad too, people cannot do anything that dreadful they cannot do anything very dreadful at all they cannot even remember tomorrow what seemed dreadful today

... maybe the only thing worse than having to give gratitude constantly all the time, is having to accept it.'''

He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggernautish simulation of terrific speed though the actual speed itself was absent, as if in that cold and implacable and undeviating conviction of both omnipotence and clairvoyance of which they both partook known destination and speed were not necessary.

To live anywhere in the world today and be against equality because of race or color is like living in Alaska and being against snow.

And George Farr had the town, the earth, the world to himself and his sorrow. Music came faint as a troubling rumor beneath the spring night, sweetened by distance: a longing knowing no ease. (Oh God, oh God!)
At last George Farr gave up trying to see her. He had 'phoned vainly and time after time, at last the telephone became the end in place of the means: he had forgotten why he wanted to reach her. Finally he told himself that he hated her, that he would go away; finally he was going to as much pains to avoid her as he had been to see her. So he slunk about the streets like a criminal, avoiding her, feeling his his very heart stop when he did occasionally see her unmistakable body from a distance. And at night he lay sleepless and writhing to think of her, then to rise and don a few garments and walk past her darkened house, gazing in slow misery at the room in which he knew she lay, soft and warm, in intimate slumber, then to return to home and bed to dream of her brokenly.

...girls, women, are not interested in romance but only facts.

As regards any specific book, I'm trying primarily to tell a story, in the most effective way I can think of, the most moving, the most exhaustive. But I think even that is incidental to what I am trying to do, taking my output ( the course of it) as a whole. I am telling the same story over and over, which is myself and the world...........I'm trying to say it all in one sentence, between one Cap and one period. I'm still trying to put it all, if possible on one pinhead. I don't know how to do it. All I know to do is to keep on trying in a new way................. life is a phenomenon but not a novelty, the same frantic steeplechase toward nothing everywhere and man stinks the same stink no matter where in time.

That’s what they mean by the womb of time: the agony and the despair of spreading bones, the hard girdle in which lie the outraged entrails of events.

A man. All men. He will pass up a hundred chances to do good for one chance to meddle where meddling is not wanted. He will overlook and fail to see chances, opportunities, for riches and fame and welldoing, and even sometimes for evil. But he won't fail to see a chance to meddle.

The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move.

"As they walked through the bright noon, up the sandy road with the dispersing congregation talking easily again group to group, she continued to weep, unmindful of the talk.
"He sho a preacher, mon!! He didn't look like much at first, but hush!"
"He seed de power en de glory."
"Yes, suh. He seed hit. Face to face he seed hit."
Dilsey made no sound, her face did not quiver as the tears took their sunken and devious courses, walking with her head up, making no effort to dry them away even.
"Whyn't you quit dat, mammy?" Frony said. "Wid all dese people lookin. We be passin white folks soon."
"I've seed de first en de last," Dilsey said. "Never you mind me."
"First en last whut?" Frony said.
"Never you mind," Dilsey said. "I seed de beginnin, en now I sees de endin.

...probably by that time he had learned that there were three things and no more: breathing, pleasure, darkness; and without money there could be no pleasure, and without pleasure it would not even be breathing but mere protoplasmic inhale and collapse of blind unorganism in a darkness where light never began.

Through the fence, between the curling flower spaces, I could see them hitting.

When the shadow of the sash appeared on the curtains it was between seven and eight o' clock and then I was in time again, hearing the watch. It was Grandfather's and when Father gave it to me he said I give you the mausoleum of all hope and desire; it's rather excruciating-ly apt that you will use it to gain the reducto absurdum of all human experience which can fit your individual needs no better than it fitted his or his father's. I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.