There is something very important we have to realize and understand from Yasmin's commercials; something that reminds us that we're actually made of the same blood. We are all the same: boy or girl, women or men, women's rights or men's rights. There's no difference; ultimately we're all human and we all have rights. Her commercials allow us to reflect on that common ground.
Malaysian film director (1958–2009)
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If some people in power here were to think, oh no you’re smaller and you’re weaker, my job is to take care of you, then might not be a bad place. It is simplistic, but I think there is some truth in that. (discussing humility and power dynamics in art, filmmaking, screenwriting, Malaysia and the World)
For me today, the most important filmmaker alive, for me personally is Pedro Almodóvar. Because he takes people on the fringes of society and they are bizarre. And If you read about them in the newspapers, you would think they were criminals. But in an Almodóvar film, you forgive them and you even learn to love them, which I think is closer to godliness, than making a film about good people running around.
Ahmad's films are deeply inspired by the Japanese director Yasujiro Ozu and display scenes of everyday life with a depth of emotion. The Yasmin Ahmad retrospective was a unique opportunity for the people of Hawaii to hear stories from a part of the world that often goes underreported here in the west.
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I can't say for certain if my static camera influence came from the cinema of Japan, Iran, or certain cinematic traditions of Europe. I admire films that uphold real sentiments, and I daresay I don't much care which country they come from, for as long as they engage me on some human level. In fact, if I had to cite my greatest cinematic hero and influence of all, I would have to say it was Charlie Chaplin.