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" "as if any one but a fool imagined that he could compress a thing like art or religion or science into an epigram which could be lifted from its context and, so lifted, continue to make sense. Giving and collecting definitions is not philosophy but a parlour game. The writer's definition of religion (as of art and so forth) is coextensive with this entire book, and will nowhere be found in smaller compass. Nor will it be found in its completeness there; for no book is wholly self-explanatory, but solicits the co-operation of a reasonably thoughtful and instructed reader. Religion,
Robin George Collingwood (22 February 1889 – 9 January 1943) was an English philosopher, historian, and archaeologist. He is best known for his philosophical works including The Principles of Art (1938) and the posthumously published The Idea of History (1946).
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The failure of art is, as we have said, not a complete failure. Substantial truth is revealed to us, we are not cheated of that; but it is revealed only in the equivocal form of beauty, submerged, so to speak, in the flood of aesthetic emotion. It is only because truth is revealed in it that the emotion is aesthetic; but emotional truth, truth in the guise of beauty, is not truth at all in the formal sense Art asserts nothing; and truth as such is matter of assertion. To be itself, it demands logical form. Art fails us because it does not assert. It is pregnant with a message that it cannot deliver.
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The real is the present, conceived not as a mathematical point between the present and the past, but as the union of present and past in a duration or permanence that is at the same time change. Thus the past as past and the future as future do not exist at all, but are purely ideal; the past as living in the present and the future as germinating in the present are wholly real and indeed are just the present itself. It is because of the presence of these two elements in the present... that the present is a concrete and changing reality and not an empty mathematical point.