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We have named PROUN [the art, stepping over from painting to architecture] a station on the path to the construction of the new form.. .From being a … - El Lissitzky
" "We have named PROUN [the art, stepping over from painting to architecture] a station on the path to the construction of the new form.. .From being a simple depicter the artist becomes a creator (builder) of forms for a new world — the world of objectivity. This does not mean the creation of a rivalry with the engineer. Art has not yet crossed paths with science.
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About El Lissitzky
Lazar Markovich Lissitzky [Лазарь Маркович Лисицкий] (November 23, 1890 – December 30, 1941), more famous as El Lissitzky [Эль Лисицкий], was a Russian artist, designer, photographer, teacher, typographer, and architect. He was an active protagonist of Russian Constructivism.
Also Known As
Native Name:
Ла́зарь Ма́ркович Лиси́цкий
Alternative Names:
El' Lisickij
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Ėlʹ Lisit︠s︡kiĭ
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El Lissickij
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Eliezer Markovich Lissitzky
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Lasar Lissitzky
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Eliezer Lissitsky
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Lazar Markovich Lissitzky
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Lazar Markovich Lisitskii
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El Lazar Lissitzky
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Lazarʹ Markovich Lisit︠s︡kiĭ
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Lazar Markovich Lisi︡tskiĭ
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Lazar Markovich Lisitsky
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Eliezer Lissitzky
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Eliʻezer Lisitsḳi
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El Lissitsky
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Lazar Lissitzky
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E. M. Lissitsky
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El Lisitsḳi
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Eleazar Markovich Lissitzky
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El Lisitsky
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Eleazar M. Lissitzky
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Lasar Markowitsch Lissitzky
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Eliezer Lisitski
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Eliezer Lisitsky
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Lazarʼ Markovič Lisickij
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E. Lisitsḳi
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Lazar Markovich Lisitski
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Lazar Markovich Lisitzky
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Lasar Morduchovich Lissitsky
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Lissitzky
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Additional quotes by El Lissitzky
Back in Moscow in 1925 - teacher at 'Vchutemas' of interior design and furniture at the faculty of wood and metalwork. In 1926 my most important artistic work began: designing exhibitions. In that year I was invited by the committee of the International Exhibition of Art in Dresden to design the space for contemporary art. Was sent abroad for by 'VOKS'. [In] 1927 Exhibition of Typography in Moscow.
In 1928 I designed a photo-montage frieze of 24 by 3.5 m for our 'Pressa' pavilion. It became the example par excellence for all larger-than-life montages, which were a permanent feature of the exhibitions from then on. During Majakovskij's stay in Berlin in 1923 I was commissioned to design his book 'For the Voice'. The book was recognized as the starting-point of a new typography, and the Gutenberg Society in Mainz made me a member. Another field of my work is the artistic and poly-graphic design of albums and periodicals.
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