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" "I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figuratives or abstract, seem to me like prison windows in which the lines, precisely are the bars.
Yves Klein (28 April 1928 – 6 June 1962) was a French artist and is considered an important figure in post-war European art. He made a lot of monochrome paintings, mostly in his famous blue, and in gold colour. He had a lot of influence on Manzoni, the Zero-artists and Joseph Beuys.
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Every possible buyer of an immaterial pictorial sensitivity zone must realize that the fact that he accepts a receipt for the price which he has payed takes away all authentic immaterial value from the work, although it is in his possession. In order that the fundamental immaterial value of the zone belong to him and become a part of him, he must solemnly burn his receipt, after his first and last name, his address and the date of the purchase have been written on the stub of the receipt book.
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I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces? Because every work of creation, quite apart from its cosmic position, is the representation of pure phenomenology – every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.