It was explained that the North Korean matter was a diplomatic inconvenience, while Iraq's non-disarmament remained a "crisis". The reason was strate… - Martin Amis

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It was explained that the North Korean matter was a diplomatic inconvenience, while Iraq's non-disarmament remained a "crisis". The reason was strategic: even without WMDs, North Korea could inflict a million casualties on its southern neighbour and raze Seoul. Iraq couldn't manage anything on this scale, so you could attack it. North Korea could, so you couldn't. The imponderables of the proliferation age were becoming ponderable. Once a nation has done the risky and nauseous work of acquisition, it becomes unattackable. A single untested nuclear weapon may be a liability. But five or six constitute a deterrent. From this it crucially follows that we are going to war with Iraq because it doesn't have weapons of mass destruction. Or not many. The surest way by far of finding out what Iraq has is to attack it. Then at last we will have Saddam's full cooperation in our weapons inspection, because everything we know about him suggests that he will use them all. The Pentagon must be more or less convinced that Saddam's WMDs are under a certain critical number. Otherwise it couldn't attack him.

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About Martin Amis

Sir Martin Louis Amis (25 August 1949 – 19 May 2023) was a British novelist, essayist and short story writer. He was the son of Kingsley Amis.

Biography information from Wikiquote

Also Known As

Alternative Names: Martin Louis Amis Sir Martin Louis Amis
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Viewed at its grandest, P.C. is an attempt to accelerate evolution. To speak truthfully, while that's still okay, everybody is a racist or has racial prejudices. This is because human beings tend to like the similar, the familiar, the familial. Again, I say, I am a racist. I am not as racist as my parents. My children will not be as racist as I am. Freedom from racial prejudice is what we hope for down the line. Impatient with this hope, this process, P.C. seeks to get things done right now. In a generation or at the snap of a finger, you can simply announce yourself to be purged of these atavisms.

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In general, writers never find out how strong their talent is: that investigation begins with their obituaries. In the USSR, writers found out how good they were when they were still alive. If the talent was strong, only luck or silence could save them.

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