The Girl Scout’s motto is also mine. I fill my life with worthwhile deeds such as — well, never mind what. My duty is — to be useful. I am a friend t… - Vladimir Nabokov

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The Girl Scout’s motto is also mine. I fill my life with worthwhile deeds such as — well, never mind what. My duty is — to be useful. I am a friend to male animals. I am cheerful. I am thrifty and I am absolutely filthy in thought, word, and deed.

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About Vladimir Nabokov

Vladimir Vladimirovich Nabokov (22 April (O.S. 10 April) 1899 – 2 July 1977) was a Russian-American writer. He wrote his first literary works in Russian, but gained international prominence as a masterly prose stylist for the novels he composed in English; his Lolita (1955) is frequently cited as one of the most important novels of the 20th century.

Biography information from Wikiquote

Also Known As

Pen Names: ვლადიმერ სირინი Vladimir Sirin Владимир Сирин
Native Name: Владимир Владимирович Набоков
Alternative Names: Vladimir Vladimirovich Nabokov Vl. Sirin Wladimir Nabokoff-Sirin V. Sirin Nabokov
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Additional quotes by Vladimir Nabokov

"Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet".

Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I talk in a daze, I walk in a maze,
I cannot get out, said the starling)."

The few times I said to myself anywhere: ‘Now that’s a nice spot for a permanent home,’ I would immediately hear in my mind the thunder of an avalanche carrying away the hundreds of far places which I would destroy by the very act of settling in one particular nook of the earth.

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For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann.

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