So I think the issue starts to come up when you’re not honest with yourself about those distinctions and how you are willing to engage with them. Wha… - Ayobola Kekere-Ekun
" "So I think the issue starts to come up when you’re not honest with yourself about those distinctions and how you are willing to engage with them. What your limitations are, as well. And you know, how you can correct for them. It's a weird business. It's a weird business, but even at my most bogged down, miserable, you know, even when I'm stretched thin, and I've scheduled one too many things, I have one too many deadlines. I can't, I cannot literally think of anything else I'd rather be doing. Like I literally cannot picture myself doing anything. What on earth would I be doing?
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About Ayobola Kekere-Ekun
Ayobola Kekere-Ekun (born 1993) is a Nigerian contemporary visual artist. Kekere-Ekun finished a degree in Graphic Design at the University of Lagos (UNILAG), Akoka in 2009 and also received her Master's Degree in the same field in 2016. She is the Assistant Lecturer in the Department of Creative Arts at the University of Lagos. As of 2022, Kekere-Ekun was finishing her Ph.D., which started in 2018, in Art and Design at the University of Johannesburg, South Africa.
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Additional quotes by Ayobola Kekere-Ekun
I get very attached to my tools. They've come with me every time I've moved. So whatever tools I start project with, I will usually stick with them. Throughout. I also get superstitious about cleaning parts of my studio when I work. I will usually avoid cleaning in the middle of stage. It just messes with the energy otherwise. I don't know how else to explain it. When I'm really struggling to work, I take la few days off. And I reread two favourite books. It can’t be a new book has to be something I've read before and loved. I read two books. And then I watch Beyoncé’s “I Am” world tour. It works every time.
Before that my work was purely design. It was purely, you know, marketing and advertising 100%. Being a studio artist was never something that had been on my radar. My plan had been to finish school, start working in an ad agency, take over the world. But everything completely shifted when I finished the first piece.
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My PHD is art and design. Academically, I’m more of a graphic designer. My research is exploring place branding, in Lagos. So I'm basically exploring how the state government in like the last decade has co-opted certain architectural and cultural monuments as signifiers for the state. But I'm arguing that they carry unexamined histories that kind of complicate their use. You know, it's as if you are trying to position yourself as a super modern, inclusive type state, but you're using a symbol that is actually really classist and patriarchal and really quite problematic. There's just this ironic tension in there. And that's sort of what my research is examining.
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