I devoted several months in privacy to the composition of a treatise on the mysteries of Three Dimensions. Only, with the view of evading the Law, if… - Edwin Abbott Abbott

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I devoted several months in privacy to the composition of a treatise on the mysteries of Three Dimensions. Only, with the view of evading the Law, if possible, I spoke not of a physical Dimension, but of a Thoughtland whence, in theory, a Figure could look down upon Flatland and see simultaneously the insides of all things, and where it was possible that there might be supposed to exist a Figure environed, as it were, with six Squares, and containing eight terminal Points. But in writing this book I found myself sadly hampered by the impossibility of drawing such diagrams as were necessary for my purpose... my life was under a cloud. All pleasures palled upon me; all sights tantalized and tempted me to outspoken treason, because I could not but compare what I saw in Two Dimensions with what it really was if seen in Three, and could hardly refrain from making my comparisons aloud.' I neglected my clients and my own business to give myself to the contemplation of the mysteries which I had once beheld, yet which I could impart to no one, and found daily more difficult to reproduce even before my own mental vision.

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About Edwin Abbott Abbott

Edwin Abbott Abbott (20 December 1838 – 12 October 1926) was an English schoolmaster and theologian, most famous as the author of the social satire Flatland (1884), widely noted for its use of mathematical dimensions in religious and political allegories.

Also Known As

Pen Names: A. Square
Alternative Names: Edwin Abbott Edwin A. Abbott Abbott
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Additional quotes by Edwin Abbott Abbott

If our highly pointed Triangles of the Soldier class are formidable, it may be readily inferred that far more formidable are our Women. For if a Soldier is a wedge, a Woman is a needle; being, so to speak, ALL point, at least at the two extremities. Add to this the power of making herself practically invisible at will, and you will perceive that a Female, in Flatland, is a creature by no means to be trifled with.

Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself. How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.

The Fourth Gospel is admitted by all Greek scholars to be, in parts, extraordinarily obscure. No honest writer of history is obscure, as a rule, except through carelessness or ignorance — ignorance, it may be, of the art of writing, or of the subject he is writing about, or of the persons he is addressing, or of the words he is using, but, in any case, ignorance of something. But an honest writer of poetry or prophecy may be consciously obscure because a message, so to speak, has come into his mind in a certain form, and he feels this likely to prove the best form — ultimately, when his readers have thought about it.

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