[another part / version of Whistler's lecture:] Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes… - James McNeill Whistler

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[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful—as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all.

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About James McNeill Whistler

James Abbott McNeill Whistler (10 July 1834 – 17 July 1903) was an American-born, British-based painter and etcher. Finding a parallel between painting and music, Whistler entitled many of his paintings 'arrangements', 'harmonies', and 'nocturnes'.

Also Known As

Birth Name: James Abbot McNeill Whistler
Native Name: James Whistler
Alternative Names: James McNeil Whistler James Abbott McNeil Whistler James Abbott MacNeil Whistler James Abbott Mcneill Whistler James Abbott Whistler James Mac Neill Whistler James Mc Neill Whistler James Mc. Neill Whistler James Abbott McNeill Whistler James Abbot M'Neill Whistler James M'Neill Whistler James Abbott M'Neill Whistler James A. McNeill Whistler
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Additional quotes by James McNeill Whistler

As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that.. .Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.'

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