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I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief — oh, no! — it was the low stifled sound… - Edgar Allan Poe
" "I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief — oh, no! — it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart.
English
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About Edgar Allan Poe
Edgar Allan Poe, born Edgar Poe (January 19, 1809 – October 7, 1849) was an American author, a part of literary studies and was also considered by some peoples both the central and most major figure of the American Romanticism, and a part of the American literature. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. Born in 1809 in Massachusetts, Poe was the son of American theatre actress Elizabeth Poe (mother) and David Poe, Jr. (father).
Biography information from Wikiquote
Also Known As
Pen Names:
Edgar A. Perry
Alternative Names:
Poe
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Edgar Poe
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E. A. Poe
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Edgar A. Poe
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Quarles
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Additional quotes by Edgar Allan Poe
And now have I not told you that what you mistake for madness is but over-acuteness of the senses? -- now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.
I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.
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