Hey, man; I would never dare to sing alone and unaided. I mean, nobody would want to hear the sound of my natural voice. But by singing through this … - Herbie Hancock

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Hey, man; I would never dare to sing alone and unaided. I mean, nobody would want to hear the sound of my natural voice. But by singing through this new machine, I can mix what I sing with what I play on the synthesizer and it comes out sounding like you hear it on Sunlight. [...] What it all means is that I can sing "I love you, baby" down while playing different notes with the same rhythm up on the synthesizer ... Now any keyboard player who can coordinate his playing with his singing can sing anything he wants to ... and be able to do all the things singers can't do that instrumentalists can.

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About Herbie Hancock

(born April 12, 1940, in Chicago), is an American jazz pianist, keyboardist, bandleader, composer, and occasional actor, known for his work with the Miles Davis Quintet and—from 1970s to the present—for his experiments with jazz fusion, funk, and electro styles. TOC

Also Known As

Alternative Names: Herbert Jeffrey "Herbie" Hancock Herbert Jeffrey Hancock
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Additional quotes by Herbie Hancock

I realized I could never be a genius in the class of Miles, Parker or Coltrane, so I might just as well forget about becoming a legend and just be satisfied to create some music to make people happy. I no longer wanted to write the Great American Masterpiece.

I'm not a chauffeur. Nobody would have bought any of my records if I were. I'd have had nothing to say. I'm supposed to be presenting things to the public, not accepting requests. I call the shots. They don't have to like it. I really wanted to develop my career in such a way that I have the freedom to do what I want to do, and not have that considered bizarre. I think I'm finally at that point. People are no longer surprised when I come out with something different. I've done it enough now. That's what I've wanted all this time.

I didn't know whether Wayne was crazy or a genius. I knew something was there, but I couldn't get a handle on it. We were playing some club outside of Boston. After the gig, I got a bottle of cognac and went back to his hotel room and we drank. And we talked for hours. And I began to see that there were word games that Wayne would play. His whole approach was much more like poetry, if anything, than how we normally perceive standard conversation. His way of speaking was on a much higher plane. I did come to the conclusion that he was a genius, not crazy.

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