American jazz trumpeter, bandleader, and composer (1926–1991)
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No, no pensaré en Gil como alguien que murió, ni tampoco pienso así en Jimmy, porque mi mente no va por esos caminos. Le echaré de menos, pero Gil sigue estando vivo en mi recuerdo, como lo está Jimmy, como lo están Trane y Bud y Monk y Bird y Mingus y Red y Paul y Wynton y todo el resto de hijoputas geniales, como Philly Joe, que ya han desaparecido de este mundo.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
He never wasted a melody. He never wasted a phrase. He and Duke Ellington changed the whole sound. There is no way to describe it because there's nobody on this earth that can do that anymore. What he did to the texture of an orchestration, what he did with a pop song is like writing an original piece. Students will discover him. They'll have to take his music apart layer by layer. That's how they'll know what kind of genius he was.