Miles Davis Quotes

Try taking the fucking horn out of your mouth.

you have to play a long time to be able to play like yourself.

I’m always thinking about creating. My future starts when I wake up in the morning and see the light.

It’s not the note you play that’s the wrong note – it’s the note you play afterwards that makes it right or wrong.

I can't tell... All those white tenor players sound alike to me.

When you are creating your own shit, man, even the sky ain't the limit.

I remember one time - it might have been a couple times - at the Fillmore East in 1970, I was opening for this sorry-ass cat named Steve Miller. Steve Miller didn't have his shit going for him, so I'm pissed because I got to open for this non-playing motherfucker just because he had one or two sorry-ass records out. So I would come late and he would have to go on first and then we got there we smoked the motherfucking place, everybody dug it.

He never wasted a melody. He never wasted a phrase. He and Duke Ellington changed the whole sound. There is no way to describe it because there's nobody on this earth that can do that anymore. What he did to the texture of an orchestration, what he did with a pop song is like writing an original piece. Students will discover him. They'll have to take his music apart layer by layer. That's how they'll know what kind of genius he was.

I love Pops, I love the way he sings, the way he plays - everything he does, except when he says something against modern-jazz music.

See, music is about style.

Take it off! That's some sad __, man. In the first place, I hear some Charlie Parker cliches. . . . They don't even fit. Is that what the critics are digging? Them critics better stop having coffee. If there ain't nothing to listen to, they might as well admit it. Just to take something like that and say it's great, because there ain't nothing to listen to, that's like going out and getting a prostitute. [Leonard Feather: This man said he was influenced by Duke Ellington.] I don't give a ! It must be . Right? I don't care who he's inspired by. That __ ain't nothing. In the first place he don't have the - you know, the way you touch a piano. He doesn't have the touch that would make the sound of whatever he thinks of come off. I can tell he's influenced by Duke, but to put the loud pedal on the piano and make a run is very old-fashioned to me. And when the alto player sits up there and plays without no tone . . . That's the reason I don't buy any records.

A legend is an old man with a cane known for what he used to do. I'm still doing it.

The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.

I know people get tired of hearing it but black people have got to keep saying it, throwing our conditions up into these people's faces until something is done about the way they have treated us. We've just got to keep it in front of their eyes and their ears like the Jews have done. We've got to make them know and understand just how evil the things are that they did to us over all these years and are still doing to us today.

He could very well be the Duke Ellington of Rock 'n' Roll.