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" "I believed before that (journey to Italy in 1875)... that movement was the whole secret of this art, and I put my models into positions like those of Michael Angelo. But as I went on observing the free attitudes of my models I perceived that they possessed thèse naturally^ and that Michael Angelo had not preconceived them, but merely transcribed them according to the Personal inspiration of human beings moved by the need of action. I went to Rome to look for what may be found everywhere : the latent heroic in every natural movement.
François-Auguste-René Rodin (12 November 1840 – 17 November 1917) was a French sculptor, and the preeminent sculptor of the modern era. He played a pivotal role in the art of the late nineteenth century, both excelling at and rebelling against the Beaux-Arts tradition.
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Now, to the great artist, everything in nature has character; for the unswerving directness of his observation searches out the hidden meaning of all things. And that which is considered ugly in nature often presents more character than that which is termed beautiful, because in the contractions of a sickly countenance, in the lines of a vicious face, in all deformity, in all decay, the inner truth shines forth more clearly than in features that are regular and healthy.