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" "The nineteenth century, utilitarian throughout, set up a utilitarian interpretation of the phenomenon of life which has come down to us and may still be considered as the commonplace of everyday thinking. … An innate blindness seems to have closed the eyes of this epoch to all but those facts which show life as a phenomenon of utility
José Ortega y Gasset (May 9 1883 – October 18 1955) was a Spanish philosopher.
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Greeks and Latins appear in history lodged, like bees in their hives, within cities, poleis. … The polis is not primarily a collection of habitable dwellings, but a meeting-place for citizens, a space set apart for public functions. The city is not built, as is the cottage or the domus, to shelter from the weather and to propagate the species — these are personal, family concerns — but in order to discuss public affairs. … The man of the fields is still a sort of vegetable. His existence, all that he feels, thinks, wishes for, preserves the listless drowsiness in which the plant lives. The great civilisations of Asia and Africa were, from this point of view, huge anthropomorphic vegetations. …Socrates, the great townsman, quintessence of the spirit of the polis, can say: "I have nothing to do with the trees of the field, I have to do only with the man of the city." What has ever been known of this by the Hindu, the Persian, the Chinese, or the Egyptian?
This grave dissociation of past and present is the generic fact of our time and the cause of the suspicion, more or less vague, which gives rise to the confusion characteristic of our present-day existence. We feel that we actual men have suddenly been left alone on the earth; that the dead did not die in appearance only but effectively; that they can no longer help us. Any remains of the traditional spirit have evaporated. Models, norms, standards are no use to us. We have to solve our problems without any active collaboration of the past, in full actuality, be they problems of art, science, or politics. The European stands alone, without any living ghosts by his side; like Peter Schlehmil he has lost his shadow. This is what always happens when midday comes.