Hayduke thought. Finally the idea arrived. He said, 'My job is to save the fucking wilderness. I don't know anything else worth saving. That's simple… - Edward Abbey

My job is to save the fucking wilderness. I don’t know anything else worth saving.

My job is to save the fucking wilderness. I don't know anything else worth saving.

Knowing now what we have learned, unless the need were urgent, I could no more sink the blade of an ax into the tissues of a living tree than I could drive it into the flesh of a fellow human.

The children are innocent until proven guilty. For their sake, not ours, we must soldier on, muddling our way toward frugality, simplicity, liberty, community, until some kind of sane and rational balance is achieved between our ability to love and our cockeyed ambition to conquer and dominate everything in sight. No wonder the galaxies recede from us in every direction, fleeing at velocities that approach the speed of light. They are frightened. We humans are the Terror of the Universe.

Which brings me to the final aspect of the problem of Industrial Tourism: the Industrial Tourists themselves. They work hard, these people. They roll up incredible mileages on their odometers, rack up state after state in two-week transcontinental motor marathons, knock off one national park after another, take millions of square yards of photographs, and endure patiently the most prolonged discomforts: the tedious traffic jams, the awful food of park cafeterias and roadside eateries, the nocturnal search for a place to sleep or camp, the dreary routine of One-Stop Service, the endless lines of creeping traffic, the smell of exhaust fumes, the ever-proliferating Rules & Regulations, the fees and the bills and the service charges, the boiling radiator and the flat tire and the vapor lock, the surly retorts of room clerks and traffic cops, the incessant jostling of the anxious crowds, the irritation and restlessness of their children, the worry of their wives, and the long drive home at night in a stream of racing cars against the lights of another stream racing in the opposite direction, passing now and then the obscure tangle, the shattered glass, the patrolman’s lurid blinker light, of one more wreck.