I began to know my story then. Like everybody's, it was going to be the story of living in the absence of the dead. What is the thread that holds it all together? Grief, I thought for a while. And grief is there sure enough, just about all the way through. From the time I was a girl I have never been far from it. But grief is not a force that has not power to hold. You only bear it. Love is what carries you, for it is always there, even in the dark, or most in the dark, but shining out at times like gold stitches in a piece of embroidery.

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THE WILD ROSE” – BY WENDELL BERRY

Sometimes, hidden from me in daily custom and in ritual
I live by you unaware, as if by the beating of my heart.
Suddenly you flare again in my sight
A wild rose at the edge of the thicket where yesterday there was only
shade
And I am blessed and choose again,
That which I chose before.

I believe that the community - in the fullest sense: a place and all its creatures - is the smallest unit of health and that to speak of the health of an isolated individual is a contradiction in terms. (pg. 146, Health is Membership)

It might seem to you that living in the woods on a riverbank would remove you from the modern world. But not if the river is navigable, as ours is. On pretty weekends in the summer, this riverbank is the very verge of the modern world. It is a seat in the front row, you might say. On those weekends, the river is disquieted from morning to night by people resting from their work.
This resting involves traveling at great speed, first on the road and then on the river. The people are in an emergency to relax. They long for the peace and quiet of the great outdoors. Their eyes are hungry for the scenes of nature. They go very fast in their boats. They stir the river like a spoon in a cup of coffee. They play their radios loud enough to hear above the noise of their motors. They look neither left nor right. They don't slow down for - or maybe even see - an old man in a rowboat raising his lines...
I watch and I wonder and I think. I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom.

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For the sake of “job creation,” in Kentucky, and in other backward states, we have lavished public money on corporations that come in and stay only so long as they can exploit people here more cheaply than elsewhere. The general purpose of the present economy is to exploit, not to foster or conserve. (from 'Compromise, Hell!' published in the November/December 2004 issue of ORION magazine)

We weren't allowing our hopes to become expectations. Expectations are tempting, pleasant, maybe necessary. They are scary too, once you have had some experience. They are not necessarily and not always a bucket of smoke, but they can be and are even likely to be.

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I finally knew... why Christ's prayer in the garden could not be granted. He had been seeded and birthed into human flesh. He was one of us. Once He had become mortal, He could not become immortal except by dying. That He prayed the prayer at all showed how human He was. That He knew it could not be granted showed his divinity; that He prayed it anyhow showed His mortality, His mortal love of life that His death made immortal.

Sometimes I knew in all my mind and heard why I had done what I had done, and I welcomed the sacrifice. But there were times too when I lived in a desert and felt no joy and saw no hope and could not remember my old feelings. Then I lived by faith alone, faith without hope.
What good did I get from it? I got to have love in my heart.

How would you describe the difference between modern war and modern industry — between, say, bombing and strip mining, or between chemical warfare and chemical manufacturing? The difference seems to be only that in war the victimization of humans is directly intentional and in industry it is “accepted” as a “trade-off.

Telling a story is like reaching into a granary full of wheat and drawing out a handful. There is always more to tell than can be told.