Rodin's art 'was not based upon any great idea, but upon the conscientious realisation of something small, upon something capable of achievement, upo… - John O'Donohue

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Rodin's art 'was not based upon any great idea, but upon the conscientious realisation of something small, upon something capable of achievement, upon a matter of technique. There was no arrogance in him, he devoted himself to this insignificant and difficult aspect of beauty which he could survey, command and judge. The other, the greater beauty must come when all was ready for it as animals come to drink when night holds sway and the forest is free of strangers.

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About John O'Donohue

John O'Donohue (1 January 1956 – 4 January 2008) was an Irish poet, author, priest, and Hegelian philosopher. He was a native Irish speaker, and as an author is best known for popularising Celtic spirituality, especially from his book Anam Cara.

Biography information from Wikiquote

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Additional quotes by John O'Donohue

The Celtic mind was never drawn to the single line; it avoided ways of seeing and being that seek satisfaction in certainty. The Celtic mind had a wonderful respect for the mystery of the circle and the spiral. The circle is one of the oldest and most powerful symbols. The world is a circle; the sun and moon are too. Even time itself has a circular nature; the day and the year build to a circle. At its most intimate level so is the life of each individual. The circle never gives itself completely to the eye or to the mind but offers a trusting hospitality to that which is complex and mysterious; it embraces depth and height together. The circle never reduces the mystery to a single direction or preference. Patience with this reserve is one of the profound recognitions of the Celtic mind. The world of the soul is secret. The secret and the sacred are sisters. When the secret is not respected,

The restlessness in the human heart will never be finally stilled by any person, project, or place. The longing is eternal. This is what constantly qualifies and enlarges our circles of belonging. There is a constant and vital tension between longing and belonging. Without the shelter of belonging, our longings would lack direction, focus, and context; they would be aimless and haunted, constantly tugging the heart in a myriad of opposing directions. Without belonging, our longing would be demented. As memory gathers and anchors time, so does belonging shelter longing. Belonging without longing would be empty and dead, a cold frame around emptiness. One often notices this in relationships where the longing has died; they have become arrangements, and there is no longer any shared or vital presence. When longing dies, creativity ceases. The arduous task of being a human is to balance longing and belonging so that they work with and against each other to ensure that all the potential and gifts that sleep in the clay of the heart may be awakened and realized in this one life.

There is the infinity of the microcosm: one little speck on the top of your thumb contains a whole inner cosmos, but it is so tiny that it is not visible to the human eye. The infinity in the microscopic is as dazzling as that of the cosmos. However, the infinity that haunts everyone and which no one can finally quell is the infinity of one’s own interiority

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