Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.

This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...

...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possessio

So don't be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don't know what work they are accomplishing within you?

The great renewal of the world will perhaps consist in this, that man and maid, freed of all false feelings and reluctances, will seek each other not as opposites, but as brother and sister, as neighbors, and will come together as human beings.

The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.

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The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky.

Schon ist mein Blick am Hügel, dem besonnten, dem Wege, den ich kaum begann, voran. So fasst uns das, was wir nicht fassen konnten, voller Erscheinung, aus der Ferne an— und wandelt uns, auch wenn wirs nicht erreichen, in jenes, das wir, kaum es ahnend, sind; ein Zeichen weht, erwidernd unserm Zeichen... Wir aber spüren nur den Gegenwind.

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How shall I hold on to my soul, so that it does not touch yours? How shall I lift it gently up over you on to other things? I would so very much like to tuck it away among long lost objects in the dark, in some quiet, unknown place, somewhere which remains motionless when your depths resound. And yet everything which touches us, you and me, takes us together like a single bow, drawing out from two strings but one voice. On which instrument are we strung? And which violinist holds us in his hand? O sweetest of songs.

First a childhood, limitless and without renunciation or goals. O unselfconscious joy. Then suddenly terror, barriers, schools, drudgery, and collapse into temptation and loss. Defiance. The one bent becomes the bender, and thrusts upon others that which it suffered. Loved, feared, rescuer, fighter, winner and conqueror, blow by blow. And then alone in cold, light, open space, yet still deep within the mature erected form, a gasping for the clear air of the first one, the old one... Then God leaps out from behind his hiding place.

Ach, die Gärten bist du, ach, ich sah sie mit solcher Hoffnung. Ein offenes Fenster im Landhaus—, und du tratest beinahe mir nachdenklich heran. Gassen fand ich,— du warst sie gerade gegangen, und die spiegel manchmal der Läden der Händler waren noch schwindlich von dir und gaben erschrocken mein zu plötzliches Bild.—Wer weiß, ob derselbe Vogel nicht hinklang durch uns gestern, einzeln, im Abend?