His tired gaze - from passing endless bars - has turned into a vacant stare which nothing holds. To him there seem to be a thousand bars, and out bey… - Rainer Maria Rilke

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His tired gaze - from passing endless bars - has turned into a vacant stare which nothing holds. To him there seem to be a thousand bars, and out beyond these bars exists no world.</p> His supple gait, the smoothness of strong strides that gently turn in ever smaller circles perform a dance of strength, centered deep within a will, stunned, but untamed, indomitable. But sometimes the curtains of his eyelids part, the pupils of his eyes dilate as images of past encounters enter while through his limbs a tension strains in silence only to cease to be, to die within his heart.

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About Rainer Maria Rilke

René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926), better known as Rainer Maria Rilke, was a Bohemian-Austrian poet and novelist, generally considered the German language's greatest poet of the 20th century. His writings include one novel, several collections of poetry and several volumes of correspondence in which he invokes images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude and anxiety. These themes position him as a transitional figure between traditional and modernist writers.

Biography information from Wikiquote

Also Known As

Alternative Names: René Karl Wilhelm Johann Josef Maria Rilke René Maria Cäsar Rilke Rainer Karl Wilhelm Johann Josef Maria Rilke Li-erh-kʻo Rainer Maria Rielke René Rilke Rainer Mariyah Rilḳeh Rainŏ Maria Rilkʻe Reiner Marie Rilke Rene Karl Wilhelm Johann Josef Maria Rilke Rene Rilke
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Wie soll ich meine Seele halten, daß sie nicht an deine rührt? Wie soll ich sie hinheben über dich zu andern Dingen? Ach gerne möchte ich sie bei irgendetwas Verlorenem im Dunkel unterbringen an einer fremden stillen Stelle, die nicht weiterschwingt, wenn diene Tiefen schwingen. Doch alles, was uns anrührt, dich und mich, nimmt uns zusammen wie ein Bogenstrich, die aus zwei Saiten eine Stimme zieht. Auf welches Instrument sind wir gespannt? Und welcher Geiger hat uns in der Hand? O süßes Lied.

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