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" "I kinda wish the internet had been around. Or at least some major force that could have screamed “Why are you turning Magneto into a half-assed clone of Doctor Doom?” and cataloged each and every way in which this transformation violated the long standing continuity. (2007)
John Lindley Byrne (born July 6, 1950) is a British-born naturalised American author and artist of comic books. Since the mid-1970s Byrne has worked on nearly every major American superhero. His most famous works have been on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise.
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I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC. (2004)
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It’s too late for someone to steal this story now, I suppose. I intended Doom to return to Latvaria and absolutely freak out when he discovered what his robots had done to Kristoff. Basically—he’d need a whole lot of new robots by the time he calmed down. And then he would devote a whole lot of time and energy to restoring Kristoff. (I had not decided if he would be successful. Part of my brain wanted him to realize he needed the help of the other smartest guy on the planet—and there was no way he could ever go there!) (2007)