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My politics are private, but many of my feminist politics cross over into my professional life. Because I portray female characters — so I have the o… - Frances McDormand
" "My politics are private, but many of my feminist politics cross over into my professional life. Because I portray female characters — so I have the opportunity to change the way people look at them. Even if I wasn’t consciously doing that, it would happen anyway, just because of how I present as a woman, or as a person. I present in a way that’s not stereotypical, even if I’m playing a stereotypical role. … I can’t subtract that from myself anymore. I could when I was younger. … That’s another great thing about getting older. Your life is written on your face.
English
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About Frances McDormand
Frances Louise McDormand (born Cynthia Ann Smith, 23 June 1957) is an American actress and producer. In a career spanning over four decades, she has gained acclaim for her roles in small-budget independent films. McDormand has received numerous accolades, including four Academy Awards, two Emmy Awards, and one Tony Award, making her one of the few performers to achieve the "Triple Crown of Acting". Additionally, she has received three BAFTAs and two Golden Globe Awards.
Also Known As
Birth Name:
Cynthia Ann Smith
Alternative Names:
Frances Louise McDormand
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Additional quotes by Frances McDormand
I don't show up all the time. I only show up when I can and when I want to, but I was there at the Golden Globes and it's almost like there was an arc that started there. It doesn't end here. But I think publicly — as a commercial (because that's what we are, this is not a — this is not — this is not a novel — this is a TV show after all) — but I think that the message that we're getting to send to the public is that we're going to be one of the small industries that try to make a difference.
I was never that involved in the machine of press and publicity as an actor because I’ve always kind of worked on the margins of my profession … And then when my son was younger and it did get a little bit more intrusive, I tried to come to terms with how I was personally going to handle someone coming up to me on the street and wanting some part of my time. … Now what I do — because this is how I live — when someone approaches me and says, "Can I have your autograph," I say: "No, I’ve retired from that part of the business. I just act now." … I say: "What’s your name?" … I touch them. I look at them. I have a real exchange … I’m not an actor because I want my picture taken. I’m an actor because I want to be part of the human exchange.'''
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