Cate Blanchett Quotes

Thank you of course to Miss Hepburn. The longevity of her career I think is inspiring to everyone. But most importantly and on behalf of everyone I know in The Aviator, thank you to Martin Scorsese. I hope my son will marry your daughter.

I'm not very cautious or careful. It's always been more about having a variety of experiences than any planned trajectory... I think that in a way, projects choose you.

I've done a lot of talking over the past six years. My husband and I have been running the Sydney Theatre Company and it's been magic – my kids have been able to see so many of those transient moments between acting and real life behind the scenes. But now that I've given it up I'm looking forward to being a bit quieter. I'm very conscious of that. There have been times when I've heard myself in the past and thought: "Aw, just shut up."

It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who'd had children and I think they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move.

It's been an enormous challenge and enormously gratifying. Andrew and I wanted to travel less and the opportunity of living and working in Sydney was irresistible, especially when it came to being able to give our children roots. I also felt drawn to the stimulating kind of environment that the theatre offers in a way that is completely different from film. To direct a company has its own challenges, and there's nothing like the terror and thrill that comes from performing live in front of an audience. So it's been a marvellous experience for both of us.

I think that's what I love about my life. There's no maniacal master plan. It's just unfolding before me.

I remember when I came out of drama school I'd seen a lot of actors, brilliant actors who didn't work very often. And when you're starting out, there's more rejection than there is acceptance, and I said to myself, “I’ll give it five years. I don’t think I have a strong enough mettle to deal with the rejections."

No one is ever who they purport to be. And I suppose I'm most interested in the gap between who we project socially and who we really are.

The world’s changed. It’s very difficult to know where to be. Because sometimes life is so fast and so absolute that the only way you can change things is by actually shifting your life utterly and totally to a different hemisphere. You can’t partially change. There’s no semi-revolution.

If I had my way, if I was lucky enough, if I could be on the brink my entire life — that great sense of expectation and excitement without the disappointment — that would be the perfect state.

What interested me was how much of a departure this was in that you have three interesting, across the generations, female characters, literally riding alongside the male characters. Also the emotional and psychological depth of the characters was, for me, a lot richer than I've seen in a western. But never once did it sacrifice the thrill of the chase. So it was a journey into the unknown for me.

If you know you are going to fail, then fail gloriously.

In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.

You know you've made it when you've been moulded in miniature plastic. But you know what children do with Barbie dolls - it's a bit scary, actually.

Of course one worries about getting older - we're all fearful of death, let's not kid ourselves. I'm simply not panicking as my laugh lines grow deeper. Who wants a face with no history, no sense of humor?