Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera… - Pauline Kael

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Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera; perhaps she had been an unusually "natural" actress even onstage. This was her first big hit in the movies. Under Frank Capra's direction, she plays a tough "party" girl (euphemism for call girl) who poses for a wealthy young artist (Ralph Graves); he sees in her the spirituality that she attempts to deny. The story is a museum piece of early-talkies sentimentality, but, in a way, that only emphasizes Stanwyck's remarkable modernism.

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About Pauline Kael

Pauline Kael (June 19, 1919 – September 3, 2001) was an American film critic best remembered for the reviews she wrote for The New Yorker. Collections of her reviews were later published in book form.

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Additional quotes by Pauline Kael

A woman who taught at Berkeley dropped in on me once and saw a book burning in the fireplace. She pointed at it in terror, and I explained that it was a crummy ghostwritten life of a movie star and that it was an act of sanitation to burn it rather than sending it out into the world which was already clogged with too many copies of it. But she said, "You shouldn’t burn books" and began to cry.

Her only flair is in her nostrils.

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There is a dreadful discrepancy between Michelangelo's works and the words put into the mouth of Charlton Heston, who represents him here, and this picture — which is mostly about a prolonged wrangle between the sculptor and Pope Julius II (Rex Harrison), who keeps sweeping into the Sistine Chapel and barking, "When will you make an end of it?" — isn't believable for an instant.

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