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" "Even Tyler would be infected by this surprising outbreak of sadness, which he certainly would not have felt had he simply never happened to see Lily again. This taught him the vanity and egotism of grief, which so often compromises nothing except childish rebellion against the closing off of possibilities.
William Tanner Vollmann (born July 28, 1959) is an American novelist, journalist, war correspondent, short story writer, and essayist. He won the 2005 National Book Award for Fiction with the novel Europe Central. Vollmann was born in Los Angeles and lived there for five years. He attended public high school in Bloomington, Indiana, and has also lived in New Hampshire, New York, and the San Francisco Bay Area. His father was Thomas E. Vollmann, a business professor at Indiana University. When he was nine years old, Vollmann's six-year-old sister drowned in a pond while under his supervision, and he felt responsible for her death. According to him, this loss has influenced much of his work.
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"Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?"
But how could he explain anything to them, when they understood good but not goodness, strong but not strength, black but not blackness?
Give us bread! the Savages cried. Heal us!
They were frightened by the consecrated wine, believing that the Black-Gowns drank human blood.
This is the blood of JESUS, said Pere Masse.
Was that a man? they asked.
He was the SON OF GOD, but He became a man to die for us. In memory of his sacrifice, we drink His blood.
At this they drew back and whispered in their language, with many terrified glances.