Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work inv… - Robert McKee

No hay en este mundo suficiente de nada para todos. No hay suficientes alimentos, suficiente amor, suficiente justicia y nunca hay suficiente tiempo.

"We must realize that a screenplay is not a novel. Novelists can directly invade the thoughts and feelings of characters. We cannot. Novelists, therefore, can indulge the luxury of free association. We cannot. The prose writer can, if he wishes, walk a character past a shop window, have him look inside and remember his entire childhood. Exposition in prose is relatively easy, but the camera is an X-ray machine for all things false. If we try to force exposition into a film through novel-like free associative editing or semi-subliminal flutter cuts that "glimpse" a character's thoughts, it strikes us as contrived."

Do I bludgeon my brains against this wall or do I find some way to get through my days with value?