Then, after all the excitement, I shall experience a certain satiation of suffering — perhaps on the mountain pass to a kind of happiness which it is… - Vladimir Nabokov
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Then, after all the excitement, I shall experience a certain satiation of suffering — perhaps on the mountain pass to a kind of happiness which it is too early for me to know (I know only that when I reach it, it will be with pen in hand).
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About
Vladimir Nabokov
Vladimir Vladimirovich Nabokov (22 April (O.S. 10 April) 1899 – 2 July 1977) was a Russian-American writer. He wrote his first literary works in Russian, but gained international prominence as a masterly prose stylist for the novels he composed in English; his Lolita (1955) is frequently cited as one of the most important novels of the 20th century.
Biography information from
Wikiquote·
Portrait adapted from
Wikimedia Commons, Walter Mori (Mondadori Publishers) (Public domain / CC0)
Also Known As
Pen Names:
ვლადიმერ სირინი
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Vladimir Sirin
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Владимир Сирин
Native Name:
Владимир Владимирович Набоков
Alternative Names:
Vladimir Vladimirovich Nabokov
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Vl. Sirin
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Wladimir Nabokoff-Sirin
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V. Sirin
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Nabokov
To think that between a Hamburger and a Humburger, she would - invariably, with icy precision - plump for the former.
Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster.
This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.
What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic — one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita’s absence from my side, but the absence of her voice from that concord.