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But who does not see that the work goes beyond the one who created it? It marches before him and he will never again be able to catch up with it, it … - Michel Seuphor
" "But who does not see that the work goes beyond the one who created it? It marches before him and he will never again be able to catch up with it, it soon leaves his orbit, it will soon belong to another, since he, more quickly than his work, changes and becomes deformed, since before his work dies, he dies.
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About Michel Seuphor
Fernand Berckelaers (1901, Antwerp – 1999, Paris), pseudonym Michel Seuphor (anagram of Orpheus), was a Belgian painter, draughtsman, and a designer of carpets. He wrote several books on the history and development of modern abstract art and used all the contacts he had with many abstract artists in Europe and the U.S.
Also Known As
Alternative Names:
Fernand Berckelaers
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Fernant Berckelaers
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Ferdinand Louis Berckelaers
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Michel Berckelaers
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Additional quotes by Michel Seuphor
As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations... for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship... (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.
To me, the circle and the square where the sky and the earth, as symbolized by the ancient Oriental religions; they formed a kind of rudimentary alphabet by means of which everything could be expressed with the most limited means. They evoked prehistoric runes and the early I-Ching, or Book of Changes.
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