In the last 100 years we six times doubled our consumption [0.7 trillion m³ in 1900, to 4 trillion m³ in 2018] of water. ...Mos… - Bjarke Ingels

Wind power: only 0.6% [of world energy production] and you have a very large untapped potential... Mostly the closer you get to the poles, the more wind power potential, especially offshore.

[T]his... relationship between the pragmatic and the utopian, or... the utilitarian and the . One such example... This is where the Granville bridge touches downtown Vancouver. We got invited to look at turning it into a mostly residential and also educational development. So we just started mapping the constraints. There are setbacks from the streets... from the bridges. The city has a rule that you cannot build residences closer than 30 meters, or a hundred feet to the traffic on the bridge. There's a park where we're not supposed to cast any shadows, and finally we were left with this tiny triangular footprint, almost too small to build. So... we started thinking... If the purpose of the 100 ft setback is a minimum distance, once we get a hundred feet up in the air we can grow the building back, so... the triangular footprint... turns into a rectangle. ...[W]hen you drive over Granville bridge it's... as if someone is pulling a curtain aside, welcoming you to Vancouver.

[A] last smaller building before we escalate is a cultural institution which just opened in ... bringing three different cultural institutions together in a new building: a library, a media tech, a performance space, and a contemporary art center. The art gallery's on the top to... access skylights, and connected by a shared lobby on the waterfront of the ... and... the library and the theater creating the two pillars. The art museum [is] the bridge to enclose a big public [outdoor] room. The... building finished in prefabricated concrete. You can... see that the French invented steel because they are so incredibly good at it. Also the sand in the south of France is so insanely beautiful. That's why in is maybe the only truly beautiful of the unités that Le Corbusier did, because of the quality of the sand. ...[T]he three institutions enclosing this giant outdoor urban room, where the... institutions, but also the city itself can invade. On the inside it's... 150,000 sq ft building with a $40 million dollar budget... so we had this... positive side-effect that all the finishes inside are... insanely raw. It's... concrete in different shades. ...The most important part of the building is what's not there. ...Even the furniture is cast out of concrete, some of it tiled. ...The ballerinas can look out at the square and vice versa. ...The theater ...this mosaic of tarred wood, hot-rolled steel and black concrete to create the perfect... acoustic mix, and finally this... art barn at the top and a sculptural park... [I]n this very... simple building... the main gesture... providing this... new shaded and covered outdoor space for the cultural life of the city.