Swiss-French architect, designer, urbanist, and writer (1886–1965)
Charles-Édouard Jeanneret (October 6, 1887 – August 27, 1965), better known as Le Corbusier, was a Swiss-born French architect, designer, urbanist, writer, and one of the pioneers of what is now called modern architecture.
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Truth to tell, the modern man is bored to tears in his home; so he goes to his club. The modern woman is bored outside her boudoir; she goes to tea-parties. The modern man and woman are bored at home; they go to night-clubs.
But lesser folk who have no clubs gather together in the evening under the chandelier and hardly dare to walk through the labyrinth of their furniture which takes up the whole room and is all their fortune and their pride.
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ROME AND OURSELVES Rome is a bazaar in full swing, and a picturesque one. There you find every sort of horror (see the four reproductions here given) and the bad taste of the Roman Renaissance. We have to judge this Renaissance by our modern taste, which separates us from it by four great centuries of effort, the 17th, 18th, 19th, and 20th. We reap the benefit of this endeavour; we judge hardly, but with a warrantable severity. These four centuries are lacking at Rome, which fell asleep after Michael Angelo. Setting foot once again in Paris, we recover our ability to judge. The lesson of Rome is for wise men, for those who know and can appreciate, who can resist and can verify. Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life. The Grand Prix de Rome and the Villa Medici are the cancer of French architecture.
(...)mimarlığın, kendilerini bütünüyle ve ateşli bir biçimde ona adayanlara bir tür mutluluk getireceğini, düşüncenin doğum sancılarından ve ışıltılı dünyaya gelişinden doğan o kendinden geçmeye benzer duyguyu yaşatacağını sezemediler. Buluşun, yaratıcılığın gücüdür bu ve insana içindeki en saf şeyleri verme olanağını sağlar.
L'architecture arabe nous donne un enseignement précieux. Elle s'apprécie à la marche, avec le pied : c'est en marchant, en se déplaçant que l'on voit se développer les ordonnances de l'architecture. C'est un principe contraire à l'architecture baroque qui est conçue sur le papier, autour d'un point fixe théorique. Je préfère l'enseignement de l'architecture arabe. Dans cette maison ci, il s'agit d'une véritable promenade architecturale, offrant des aspects constamment variés, inattendus, parfois étonnants.
When the cathedrals were white, spirit was triumphant. But today the cathedrals of France are black and the spirit is bruised. The works of the new civilization are coming together in a symphonic crescendo. The guiding spirit is faltering. The young act, but they do not know. The old cling to their accumulated treasures, but are unable to accomplish anything further.
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