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'What's it going to be then, eh?'
Anthony Burgess (25 February 1917 – 22 November 1993) was an English writer and composer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked. He also produced critical works on Joyce, Lawrence, Hemingway and Shakespeare, and studies of language and of pornography.
Biography information from Wikiquote
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God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.
There was Your Humble Narrator Alex coming home from work to a good hot plate of dinner, and there was this ptitsa all welcoming and greeting like loving....I had this sudden very strong idea that if I walked into the room next to this room where the fire was burning away and my hot dinner laid on the table, there I should find what I really wanted....For in that other room in a cot was laying gurgling goo goo goo my son....I knew what was happening, O my brothers. I was like growing up.
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They don't go into what is the cause of goodness, so why of the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of the brave malenky selves fighting these big machines?