'We are strangers, lost and bemused," Roadstrum said to the lady. "We have landed here by accident. We are looking for a lady who was singing, the la… - R. A. Lafferty

Man-a-bleeding, but they broke out of that place! You say it can't be done, but they did it. Their expectations had been too high, and no second-rate Hell could hold them. In a way it was their greatest feat. No one else had ever broken out of there before.

The historian Cassiodorus believed that the selective destruction of Alaric, as regards the Greek monuments, was of good effect. Alaric had some taste and was awed by really great art. The Greeks were only human, and all their work could not have been excellent. But almost all their ancient work that survived the ravages of Alaric was of unsurpassed excellence.
There is abominable and worthless ancient Greek art in Asia Minor, in Constantinople, in Thebes, in Eritrea, in the Cyclades and other islands. There is little or none of this worthless ancient art surviving in the path of the Gothic Greek adventure; not in Athens, or Megara or Corinth or Argos. Sparta does not figure in the account at all; it never had art.
It is said that Alaric destroyed half of the art of Greece. It may have been the worst half. He was a critic of unusual effectiveness.

Brannagan had been to more places than Finnegan had, including the same places. He had not only skirted the d'Entre-Casteau Islands, he had walked all over them. He had not only sailed through China Straits, he had dived in them for old wrecks. He had not only climbed the Cloudy Mountains, but had panned gold in their streams and dips.