If she is innocent! Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean a… - Arthur Miller

We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!

Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem — vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law! This warrant's vengeance! I'll not give my wife to vengeance!

They don't need me in New York. I'm the New England man. I'm vital in New England.

The Crucible became by far my most frequently produced play, both abroad and at home. Its meaning is somewhat different in different places and moments. I can almost tell what the political situation in a country is when the play is suddenly a hit there — it is either a warning of tyranny on the way or a reminder of tyranny just past.

"The closer they come to transcending technique and the memorization of lines — the closer to really beginning to act, in short — the more Chinese they begin to seem. Happy now approaches Miss Forsythe to pick her up in the restaurant with a wonderful formality, his back straight, head high, his hand-gestures even more precise and formal, but with a comic undertone that ironically comes closer to conveying the original American idea of the scene than when he was trying to be physically sloppy and "relaxed" — that is, imitating an American. I think that by some unplanned magic we may end up creating something not quite American or Chinese but a pure style springing from the heart of the play itself — the play as a nonnational event, that is, a human circumstance."