Science is the language of the Temporal world, Love is that of the Spiritual world. Thus man takes note of more than he is able to explain, while the… - Honoré de Balzac

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Science is the language of the Temporal world, Love is that of the Spiritual world. Thus man takes note of more than he is able to explain, while the Angelic Spirit sees and comprehends. Science depresses man; Love exalts the Angel. Science is still seeking, Love has found. Man judges Nature according to his own relations to her; the Angelic Spirit judges it in its relation to Heaven. In short, all things have a voice for the Spirit.

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About Honoré de Balzac

Honoré de Balzac (20 May 1799 – 18 August 1850) was a French novelist. Along with Flaubert, he is generally regarded as a founding father of realism in European literature.

Biography information from Wikiquote

Also Known As

Pen Names: Horace de Saint-Aubin Lord R’Hoone Viellerglé Saint Aubin
Alternative Names: Balzac Horace de Saint- Aubin Onoreh deh Balzaḳ Lord R'Hoone Ônôrē de Balzaq Jeune ceélibataire Onore de Balzak Honorato De Balzac H. Balzak Honoreé De Balzac H. Balzac Horace de S.- Aubin Honoriusz Balzac Un Jeune ceélibataire Lord O'Rhoone Ūnūrīh dī Balzāk R'Hoone Onore de Bal'zak Hônôrê đơ Banzăc Honore de Balzak de. Balzac Honorato Balzac Honoré de Balsac Honoreé de Balzac Baruzakku Pa-erh-cha-kʻo Honoré. Balzac Honoreé DeBalzac Onore. Bal'zak Onorato di Balzac Honoriusz. Balzac H. de Balzac Onore Balzéak Honoriusz. Balzak Instituteur Matricante Pa-erh-cha-kò Ba’erzhake Honoryusz. Balzac Abbeé Savonati Honoräe de Balzac Honoratus de Balzac A. de Villergleé Honoré Balssa Honoré De Balzac Ba'erzhake Saint Aubin de Poitiers M. de Balzac Onore Balʹzak Honore de Bal'zac Balzak H. de. Balzac Honoreé von Balzac Honore de Balzac Jeune ceelibataire Honoree De Balzac Honoree de Balzac Un Jeune ceelibataire Honore de Balsac Honore. Balzac Honoree DeBalzac Onore Balzeak Pa-erh-cha-ko Abbee Savonati A. de Villerglee Honore Balssa Honoree von Balzac

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[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.

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