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" "The Prophet is essentially a one-sided man. A certain moral idea fills his whole being, masters his every feeling and sensation, engrosses his whole attention. He can only see the world through the mirror of his idea; he desires nothing, strives for nothing, except to make every phase of the life around him an embodiment of that idea in its perfect form. His whole life is spent in fighting for this ideal with all his strength; for its sake he lays waste his powers, unsparing of himself, regardless of the conditions of life and the demands of the general harmony. His gaze is fixed always on what ought to be in accordance with his own convictions; never on what can be consistently with the general condition of things outside himself.
Asher Zvi Hirsch Ginsberg (18 August 1856 – 2 January 1927), primarily known by his Hebrew name and pen name Ahad Ha'am (, lit. 'one of the people', ), was a Hebrew journalist and essayist, and one of the foremost pre-state Zionist thinkers. He is known as the founder of cultural Zionism. With his vision of a Jewish "spiritual center" in Eretz Israel, his views regarding the purpose of a Jewish state contrasted with those of prominent figures within the Zionist movement such as Theodor Herzl, the founder of political Zionism. Unlike Herzl, Ahad Ha'am strived for "a Jewish state and not merely a state of Jews".
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The Priest ... appears on the scene at a time when Prophecy has already succeeded in hewing out a path for its Idea; when that Idea has already had a certain effect on the trend of society, and has brought about a new harmony or balance between the different forces at work. The Priest also fosters the Idea, and desires to perpetuate it; but he is not of the race of giants. He has not the strength to fight continually against necessity and actuality; his tendency is rather to bow to the one and come to terms with the other. Instead of clinging to the narrowness of the Prophet, and demanding of reality what it cannot give, he broadens his outlook, and takes a wider view of the relation between his Idea and the facts of life. Not what ought to be, but what can be, is what he seeks. His watchword is not the Idea, the whole Idea, and nothing but the Idea; he accepts the complex "harmony" which has resulted from the conflict of that Idea with other forces. His battle is no longer a battle against actuality, but a battle in the name of actuality against its enemies.
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