Man is either Viceroy or else he is an animal that claims special rights by virtue of its cunning and the devouring efficiency of teeth sharpened by technological instruments... But if he is Viceroy, then all decay and trouble in the created world that surrounds him is in some measure to be laid to his account

An affair that might have seemed a mere trifle - and might seem so still under different circumstances - was shown to be 'something immense in the sight of God'. 'A'isha could not have understood the vast dimensions of the stage upon which she had been summoned to play her part, but everything that happened upon this stage took place in so brilliant a light - and had such tremendous consequences - that we should not think it strange if God chose to intervene in the matter; nor is it difficult in hindsight, aware of the significance of this incident in the development of Islam, to realize that the loss of a necklace by a fifteen-year-old girl travelling through an earthly desert might be of greater significance than galactic catastrophes or the death of stars.

The agnostic has a very curious notion of religion. He is convinced that a man who says 'I believe in God' should at once become perfect; if this does not happen, then the believer must be a fraud and a hypocrite. He thinks that adherence to a religion is the end of the road, whereas it is in fact only the beginning of a very long and sometimes very rough road. He looks for consistency in religious people, however aware he may be of inconsistencies in himself

The Law does not invade the privacy of man's inwardness, the relationship of the human soul to God, nor is it concerned with the way in which each individual interprets the basic spiritual teachings of the religion (deepening them in terms of a truth that is both outwardly apparent and inwardly real), provided this does not express itself in behaviour contrary to the interests of the community, but it provides a framework of social and psychological equilibrium within which each individual can follow his particular vocation.

It is common enough for writers to find that, in the very act of writing, they express ideas and beliefs which they never knew they had; a deeper level of their personality is revealed, a level hidden until then from conscious awareness.

It is precisely because Islam goes so far in accepting the natural instincts, and in sanctifying them, that it is obliged to 'draw the line' so firmly and to punish with such severity departures from the norm and excursions beyond the limits established by the religious Law. The requirements of social and psychological equilibrium, the need to protect women and the security of children are the motives that determine this Law, and, since the whole social structure is anchored in the family, its infringements threaten society as a whole and are punished accordingly. As a civilization and a 'way of life' Islam stands or falls in terms of the delicate balance maintained between order and liberty, as also between society and the individual.

Everything becomes a blur when you travel beyond a certain speed. Distant objects may still be clear in outline, but the blurred foreground makes it impossible to attend to them. This landscape is unreal and the passengers in the express train turn to their books, their thoughts or their private fantasies.
The subjectivism of our age has a good deal to do with this imprisonment in a speeding vehicle, and the fact that we made this vehicle ourselves, with all the tireless care that children give to a contrivance of wood and wire, does not save us from the sense of being trapped without hope of escape.
A further effect of such vertiginous speed is a kind of anaesthesia, entirely natural when the operation of the senses by which we normally make contact with our environment is suspended. With no opportunity to assimilate what is going on, our powers of assimilation are inevitably weakened and certain numbness sets in; nothing is fully savoured and nothing is properly understood. Even fear (which exists to forewarn us of danger) is suspended. This would be so even if speed of change were the only factor involved, but the kind of environment in which a large part of humanity lives today — - the environment created by technology at the service of immediate, short-term needs – does much to intensify this effect. Outside of works of art which embody something beyond our physical needs, our own constructions bore us. Those who, when they have built something and admired the finished product for a decent moment, are ready to pull it down and start on something new have good sense on their side.

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One of the fundamental themes of the Qur'an is man's flight from reality. Given the basic premise that God is, and that His being both transcends and encompasses all existence, then unbelief is precisely such a flight. Men and women throughout the centuries have tried at every opportunity to evade total Reality and to take refuge in little corners of private darkness. Even at the simplest everyday level there is constant avoidance of the thought of death; there is evasion of our inward solitariness, which no amount of conviviality can entirely overcome, and there is a refusal to acknowledge our limitations and our sins. Not only is it the innate tendency of fallen man to 'forget' God, but there comes about a luxuriant growth of forgetfulness in every sphere.

All human enjoyment is limited. Paradise is by definition boundless, for it opens out onto the Infinite. On the human level this can be suggested only in numerical terms - we shall have a thousand joys, ten thousand, a million and so on - or in terms of increase without end, but without repetition. Erotic love, for example, will have all the wonder and all the freshness of 'first love' (the 'perpetually renewed virginity' of the 'Houris', which causes so much amusement to Western students of Islam, is an obvious reference to this). Every drink is like the first drink of a thirsty man, though none thirst in Paradise, and every taste of food is like the first taste taken by a starving man, though none starve there, and every meeting is true friendship discovered for the first time, and there is nothing is Paradise that is not newly minted and to be enjoyed with the fresh appetite of youth....The greatest marvel is always overtaken by a greater marvel, the sweetest companionship is forever growing sweeter, and love - though from the very start it seems perfectly consummated - still grows limitlessly. The people of Paradise are constantly surprised, for every time they think that they hold perfection in their hands, and that there can be nothing better than this, they find before them something better still. 'The lowest place of any of you in Paradise,' said the Prophet, 'is that in which Allah will tell him to make a wish, and he will wish and wish again. Allah will then ask him if he has expressed his wish and, when he replies that he has, He will tell him that he is to have what he wished for together with as much again.

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One of the greatest weaknesses of contemporary Islam is the eagerness with which Muslims ignore facts and lose themselves in dreams, contrary to the example of the Prophet, who was a realist in every possible sense of the term. Realism is by nature serene, because it cannot be surprised or disillusioned, and it is in this spirit of serenity that the Muslim is required to observe and endure the vicissitudes of time and history, fortified by a quality of stillness and of timelessness which is at the heart of his faith. Everything around him moves and changes, but he must remain rooted in stillness; and this is one reason why Muslims claim that all other religions have been, in one way or another, corrupted and altered by the passage of time, whereas Islam, in accordance with God's solemn promise, remains and will always remain what it is.

Sadly but, perhaps, not altogether unexpectedly this society has had very limited success in achieving what is supposed to be the justification for its existence — the greatest amount of happiness for the greatest possible number of people. In so far as its citizens are saved from the major anxieties and responsibilities which normally surround the business of being a man, they transfer what appears to be an unvarying human capacity for worry to the most trivial things, making mountains out of molehills on a vast scale; and they have 'nervous breakdowns' over problems which men and women living under sterner conditions would hardly find time to notice.

It is related that on one occasion the Prophet asked the archangel Gabriel to show himself in the 'mighty form' in which God created him. 'O Beloved of God,' said Gabriel, 'I have a terrifying form such as no one could look upon without being rapt from himself.' The Prophet insisted none the less, and Gabriel finally agreed to allow his angelic dimension to encompass earthly vision. There was a great rush of sound, as of a hurricane in full spate, and Gabriel appeared in his earth-crushing splendour so that his form blotted out the horizon. the Prophet fainted under the impact of this vision, whereupon the archangel resumed his earthly disguise, embraced the fallen man and kissed him, saying: 'Be not afraid, O Beloved of god, for I am thy brother Gabriel!' but he added: 'What would it have been like if you had seen Israfil (he who summons to the Last Judgement), for then my own form would have seemed to you a small and puny thing.

Modern Western art, particularly in the form of the novel, has become an instrument of self-exposure and, in most cases, what is exposed is inner sickness. The novelist works out his 'complexes' in writing. He exteriorises his despair and parades before the public all the elements of ugliness and disease present in his soul. Muslims can only find this unspeakably wicked if they recognise it for what it is, but for the most part they are unlikely to recognise something so totally alien to their faith and to their culture. The freedom of artistic expression appears, from the Islamic perspective, no more than a license to vomit in public.

...the angels, for all their splendour, are ‘peripheral’ beings, in the sense that each represents a particular aspect of the divine Plenitude; no single one among one them reflects in his nature the totality of God’s attributes. The Perfect Man, on the other hand, though far distant from the Light of heaven, stands, as it were, directly between the divine axis and mirrors Totality. This is why man, when his nature is fully developed and perfectly balanced, is described as a ‘central’ being, and this is why it is possible for him to be the ‘Khalifah of Allah on earth’, the Viceregent.

Islam being theocentric, the community owes its cohesion primarily to the Faith, not to government and not to its religious leaders. Each individual Muslim is personally responsible for the well-being of his fellows, his 'brothers' and his 'sisters', to aid them in poverty, to comfort them in distress and to put them right when they go astray (though always in a spirit of kindness); at least in principle, each member of the community, however humble, has a duty - when he sees something wrong or out of place - to correct it either with his hand or with his tongue, or, if he does not have the power to do this, then to correct it within his own heart. His duty dos not, however, extend to sending for the police or reporting the matter to the authorities, for - as a Muslim - he embodies the Law in himself; there is no question of handing over his responsibility to the impersonal state.