Modern Western art, particularly in the form of the novel, has become an instrument of self-exposure and, in most cases, what is exposed is inner sic… - Gai Eaton

"The modern Westerner, persuaded that he has a right to "think for himself" and imagining that he exercises this right, is unwilling to acknowledge that his every thought has been shaped by cultural and historical influences and that his opinions fit, like pieces of jigsaw puzzle, into a pattern which has nothing random about it."

The Muslim does not feel dwarfed by the immensities of nature because he knows himself to be the viceregent of God standing upright in the midst of such immensities. We, though small in stature, see the stars; they do not see us. We hold them within our consciousness and measure them in accordance with our knowledge; they know us not. We master them in their courses. Immensity cannot know itself; only in human consciousness can such a concept exist.

God has created nothing more noble than intelligence,' he said, 'and His wrath is on him who despises it'; and here intelligence might be defined as the capacity to perceive and assimilate the truth on every level, on one hand distinguishing between the Absolute and the relative, and on the other, perceiving that two and two make four. He said also: 'God is beautiful and He loves beauty.' This relates closely to the concept of fitrah, for the human norm is one of beauty of spirit, beauty of soul, beauty of comportment and, finally, the beauty of those things with which we choose to surround ourselves - home, dress, utensils and so on. Anger, condemned in the Qur'an and hadith on moral grounds, is condemned also because it disfigures the human countenance. An ugly building is un-Islamic, however functional it may be, as is everything cheap and tawdry. The true and the beautiful, therefore, belong to this final faith in a very special way. Stupidity and ugliness have no place in it.