It is precisely because Islam goes so far in accepting the natural instincts, and in sanctifying them, that it is obliged to 'draw the line' so firml… - Gai Eaton

Men who scorn the idea of submission to the divine Will and are outraged by the notion of a God who requires submission are among the first to demand total submission to the process in which we are involved and seem to attach a kind of moral imperative to willing participation in it. Any other attitude, so they say, is reactionary or escapist or anti-social. Perhaps, after all, they have found a divinity to worship; and, if they have, the only charitable comment must be: God help them!

There are, however, more profound reasons for protecting the ‘nakedness’ of others and for concealing our own. As was suggested earlier, few personalities are unified and all of a piece. For a man to try to cover and inhibit those elements within himself which he would like to overcome and to bring forward those which he would like to see triumphant is not ‘hypocrisy’. If he would like to be better than he is, then he deserves to be encouraged in this aim, and there is something very peculiar about the contemporary tendency to regard a person’s worst qualities as representing his ‘true’ self, although it goes hand in hand with the common belief that ugliness is in some strange way more ‘real’ than beauty and that to discover a shameful secret is to discover the truth. Perhaps a saner point of view is suggested by a story which Muslims tell about Jesus. It is said that he was walking one day with his disciples when they passed the carcass of a dog. ‘How it stinks!’ said the disciples; but Jesus said: ‘How white its teeth are!’ No one was ever damned for thinking too well of people.

Although signs may be found in everything that comes to us, as though a river at our doorstep carried these messages on its surface, the Quran (like other sacred books) speaks in terms of empirical experience, since it is intended to endure through the ages and cannot bind itself to the ‘scientific’ theories of any particular time. Its images are the phenomena of nature as they appear to us in our experience — the rising and setting of the sun, the domed sky above and the mountains, which are like weights set upon the earth. Scientific observations change according to the preconceptions of the observer and the instruments at his disposal, and the speculations which blinkered human minds construct on the basis of these observations change no less swiftly. But man’s experience of the visual universe does not change. The sun ‘rises’ for me today as it ‘rose’ for the man of ten thousand years ago.