I write with all my heart - Ursula K. Le Guin

"Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her."

Many feminists have been grieved or aggrieved by The Left Hand of Darkness because the androgynes in it are called ‘he’ throughout. In the third person singular, the English generic pronoun is the same as the masculine pronoun. A fact worth reflecting upon. And it’s a trap, with no way out, because the exclusion of the feminine (she) and the neuter (it) from the generic/masculine (he) makes the use of either of them more specific, more unjust, as it were, than the use of ‘he.’ And I find made-up pronouns, ‘te’ and ‘heshe’ and so on, dreary and annoying.

It had never occured to me that thinking and music are so much alike. In fact, you can say music is another way of thinking or maybe thinking is another kind of music.