"Επιθυμίες Σαν σώματα ωραία νεκρών που δεν εγέρασαν και τάκλεισαν, με δάκρυα, σε μαυσωλείο λαμπρό, με ρόδα στο κεφάλι και στα πόδια γιασεμιά — έτσ' η… - Konstantinos P. Cavafy

"Επιθυμίες
Σαν σώματα ωραία νεκρών που δεν εγέρασαν
και τάκλεισαν, με δάκρυα, σε μαυσωλείο λαμπρό,
με ρόδα στο κεφάλι και στα πόδια γιασεμιά — έτσ' η επιθυμίες μοιάζουν που επέρασαν
χωρίς να εκπληρωθούν· χωρίς ν' αξιωθεί καμιά
της ηδονής μια νύχτα, ή ένα πρωϊ της φεγγερό."

Desires
"Like beautiful bodies of the dead who had not grown old
and they shut them, with tears, in a brilliant mausoleum,
with roses at the head and jasmine at the feet — this is what desires resemble that have passed
without fulfillment; without any of them having achieved
a night of sensual delight, or a morning of brightness."

Greek
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About Konstantinos P. Cavafy

Constantine P. Cavafy, also known as Konstantin or Konstantinos Petrou Kavafis, or Kavaphes (Greek Κωνσταντίνος Π. Καβάφης) (29 April 1863 – 29 April 1933) was a Greek poet who is often ranked among most important literary figures of the 20th century.

Biography information from Wikiquote

Also Known As

Native Name: Κωνσταντίνος Πέτρου Καβάφης
Alternative Names: Constantine kavafy C. P. Cavafis Constantin Cavafy K. P. Kavaphēs K. P. Kavafis C. P. Cavafy Konstantine Kavafy Constantinos Cavafis Konstantino Kavafis Constantino Kavafis Konstantin Kavafis Konstantinos Petrou Kavafis Kōnstantinos Petrou Kavaphēs Kavafis Kōnstantinos Petrou Kabaphēs Kawafis Konstandinos Kavafis Konstantinas Kavafis C.P. Cavafy Constantine Peter Cavafy Kōnstantinos P. Kavafīs
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Shorter versions of this quote

Desires Like the beautiful bodies of those who died young,
tearfully interred in a grand mausoleum
with roses by their heads and jasmine at their feet –
so seem those desires that have passed
without fulfilment; without a single night
of pleasure, or one of its radiant mornings.

"Desires"

Like beautiful bodies of the dead who had not grown old
and they shut them, with tears, in a magnificent mausoleum,
with roses at the head and jasmine at the feet — that is how desires look that have passed
without fulfillment; without one of them having achieved
a night of sensual delight, or a moonlit morn.

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Additional quotes by Konstantinos P. Cavafy

The Funeral of Sarpedon Zeus is heavy with grief. Sarpedon
is dead at Patroclus’ hands and, right now,
the son of Menoetius and his Achaeans are setting out
to steal the corpse and desecrate it. But Zeus will not allow it.
He had left his beloved child alone
and now he’s lost – for such the Law demanded.
But at least he will honour him in death.
Behold: he sends Phoebus down to the field
with orders to care for the body. Phoebus lifts the hero’s corpse with reverence
and pity, and bears him to the river.
He washes away the blood and dust
and closes the wounds, careful
not to leave a scar; he pours balm
of ambrosia over the body and clothes him
in resplendent Olympian robes.
He blanches the skin and with a comb of pearl
straightens the raven-black hair.
He lays him out, arranging the lovely limbs. The youth seems a king, a charioteer,
twenty-five or twenty-six years old –
relishing his moment of victory,
with the swiftest stallions, upon a golden chariot
in a grand competition. Phoebus, completing his assignment,
calls on his two siblings,
Sleep and Death, commanding them
to carry the body to Lycia, land of riches. So the two brothers, Sleep and Death,
set out on foot to transport the body
to Lycia, land of riches.
And at the door of the king’s palace
they hand over the glorious body
and return to their affairs. As they receive him into the palace
they begin laments and tributes, processions
and libations flowing from sacred vessels
and everything that befits such a sad funeral;
then skilled craftsmen from the city
and artists well known for their work in marble
arrive to fashion the tomb and the stele.

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Όσο μπορείς

Εκτύπωση
Κι αν δεν μπορείς να κάμεις την ζωή σου όπως την θέλεις,
τούτο προσπάθησε τουλάχιστον
όσο μπορείς: μην την εξευτελίζεις
μες στην πολλή συνάφεια του κόσμου,
μες στες πολλές κινήσεις κι ομιλίες.

Μην την εξευτελίζεις πηαίνοντάς την,
γυρίζοντας συχνά κ’ εκθέτοντάς την
στων σχέσεων και των συναναστροφών
την καθημερινήν ανοησία,
ώς που να γίνει σα μια ξένη φορτική.

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