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" "A good negative is one thing, but a negative that will enable us to get a good picture is another.
(1863 – 25 February 1908) was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s.
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Inferior as a mechanical printing method for ordinary photographic purposes, the gum process may for a time at least be regarded as standing apart for pictorial purposes, because the large amount of personal control which must be exercised before it can be said to show distinct advantages over other methods implies that the controlling hand must be guided by an artist that is, a man of such large instinctive artistic taste that one can hardly conceive that he would be able to produce a better result by painting, and without the use of photography at all, were he to devote the same skill and endeavour to the employment of brush or pencil, instead of photographic appliances.
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...the purpose of a picture is not veracity to fact so much as truthfulness to idea; that is to say, it is not a question of what eye sees nor even what the brain imagines, but it is a question of what kind of production best awakens in the mind of the beholder the ideas which the maker of the picture desires him to receive.