I firmly believe that the more one is exposed to bossa nova, the less one is interested in how he can fit it to his jazz concept and the more he beco… - Clare Fischer

I've talked to him on the phone, received notes through the mail, but I've never seen him face to face. I sent him my last LP and I understand that he turned his head away as he took the disc out, saying, "I don't want to see what he looks like. I have this image and I don't want to destroy it." So there's a certain amount of mystery involved. I suppose if he knew I were a gray-haired, older guy with a big paunch, he might say, "Oh, that ruins it."

I am one of the best kept secrets in jazz history. Many of my early records are hard to find and it is still difficult to release new ones.

I have no idea who that is. It's a terrible performance, the band is horribly out of tune—is that Maynard Ferguson? It starts off at a dynamic peak and never deviates from it. It also starts out with what is supposed to be jazz musicians trying to play some sort of a Latin bag, which is not making it, because there's no solidity of rhythms. Latin rhythm sections being based on the constant contrast of instruments, and it never moves any place. And then that thing on the end—what's that supposed to be? An adaptation of Porgy and Bess of some sort? I guess it was some sort of an allusion toward Porgy and Bess. But then if it is, it's completely escaped all the rest of it. It's like giving a paragraph of reference out of a two-page article and then saying, Well, this is about this." That's one star for me.