once you lose yourself, you have two choices: find the person you used to be, or lose that person completely. - H. G. Wells
" "once you lose yourself, you have two choices: find the person you used to be, or lose that person completely.
About H. G. Wells
Herbert George Wells (September 21 1866 – August 13 1946) was a British writer most famous for his science fiction novels such as The War of the Worlds, The Invisible Man and The Time Machine; also for Kipps, The History of Mr. Polly and other social satires.
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Additional quotes by H. G. Wells
"A shell in the pit," said I, "if the worst comes to worst will kill them all."
The intense excitement of the events had no doubt left my perceptive powers in a state of erethism. I remember that dinner table with extraordinary vividness even now. My dear wife's sweet anxious face peering at me from under the pink lampshade, the white cloth with it silver and glass table furniture — for in those days even philosophical writers had luxuries — the crimson-purple wine in my glass, are photographically distinct. At the end of it I sat, tempering nuts with a cigarette, regretting Ogilvy's rashness, and denouncing the shortsighted timidity of the Martians.
So some respectable dodo in the Mauritius might have lorded it in his nest, and discussed the arrival of that shipful of pitiless sailors in want of animal food. "We will peck them to death tomorrow, my dear."
And here one may note a curious comparison which can be made between this [ascidian] life-history and that of many a respectable pinnacle and gargoyle on the social fabric. Every respectable citizen of the professional classes passes through a period of activity and imagination, of "liveliness and eccentricity," of "Sturm und Drang." He shocks his aunts. Presently, however, he realizes the sober aspect of things. He becomes dull; he enters a profession; suckers appear on his head; and he studies. Finally, by virtue of these he settles down—he marries. All his wild ambitions and subtle æsthetic perceptions atrophy as needless in the presence of calm domesticity. He secretes a house, or "establishment," round himself, of inorganic and servile material. His Bohemian tail is discarded. Henceforth his life is a passive receptivity to what chance and the drift of his profession bring along; he lives an almost entirely vegetative excrescence on the side of a street, and in the tranquillity of his calling finds that colourless contentment that replaces happiness.
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Had Moreau had any intelligible object, I could have sympathized at least a little with him. I am not so squeamish about pain as that. I could have forgiven him a little even, had his motive been only hate. But he was so irresponsible, so utterly careless! His curiosity, his mad, aimless investigations, drove him on; and the Things were thrown out to live a year or so, to struggle and blunder and suffer, and at last to die painfully.