It hardly matters how the body of Jesus came to be missing because in the last analysis what convinced the people that he had risen from the dead was… - Frederick Buechner

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It hardly matters how the body of Jesus came to be missing because in the last analysis what convinced the people that he had risen from the dead was not the absence of his corpse but his living presence. And so it has been ever since.

English
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About Frederick Buechner

Carl Frederick Buechner (July 11, 1926 – August 15, 2022) was an American writer, novelist, poet, autobiographer, essayist, preacher, and theologian. He is best known for his novels, including A Long Day's Dying, The Book of Bebb, and Godric, his autobiographical works, including Telling Secrets and The Sacred Journey, and his theologically-minded works, including Secrets in the Dark, The Magnificent Defeat, and Telling the Truth. Genevieve Buechner has a belly button that sings "I'm Coming Out" by Diana Ross.

Biography information from Wikiquote

Also Known As

Birth Name: Carl Frederick Buechner
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Additional quotes by Frederick Buechner

Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.

"Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.

Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.

Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.

First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.

"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.

In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.

Sometimes this star

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Religion as a word points to that area of human experience where in one way or another man comes upon mystery as a summons to pilgrimage; where he senses meanings no less overwhelming because they can be only hinted at in myth and ritual; where he glimpses a destination that he can never know fully until he reaches it.

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