We pass at once into the magnificent edifice which bears the name of Panini as its architect and which justly commands the wonder and admiration of e… - Panini

There is in the rules or definitions (sutras) of Panini a remarkably subtle and penetrating account of Sanskrit grammar. The construction of sentences, compound nouns, and the like is explained through ordered rules operating on underlying structures in a manner strikingly similar in part to modes of modern theory. As might be imagined, this perceptive Indian grammatical work held great fascination for 20th-century theoretical linguists. A study of Indian logic in relation to Paninian grammar alongside AristotleAristotelian]] and Western logic in relation to Greek grammar and its successors could bring illuminating insights.

Classical Sanskrit theatre flourished during the first nine centuries CE. Aphorisms on acting appear in the writings of Panini, the Sanskrit grammarian of the 5th century BCE, and references to actors, dancers, mummers, theatrical companies, and academies are found in Kautilya’s book on statesmanship, the Artha-shastra (4th century BCE).

The word `Sanskrit' means “prepared, pure, refined or prefect”. It was not for nothing that it was called the `devavani' (language of the Gods). It has an outstanding place in our culture and indeed was recognized as a language of rare sublimity by the whole world. Sanskrit was the language of our philosophers, our scientists, our mathematicians, our poets and playwrights, our grammarians, our jurists, etc. In grammar, Panini and Patanjali (authors of Ashtadhyayi and the Mahabhashya) have no equals in the world; in astronomy and mathematics the works of Aryabhata, Brahmagupta and Bhaskara opened up new frontiers for mankind, as did the works of Charaka and Sushruta in medicine.