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" "I hope it will not be said of me that my cartoons never hurt. To be a caricaturist all one's life of the kind whose pictures "never hurt" is my idea of futility. It should not be the function of a political caricaturist just to be funny. The operation sometimes calls for cruelty. But to produce a cartoon that is nothing but an insulting burlesque of a public man is not my idea of a forceful cartoon. However, it often happens that a public man serves as a symbol of wrong because of his record and as such he should be a cartoonist's subject, not to be attacked as a man so much as the idea for which he stands. When one feels that everybody, even the most predatory of capitalists, is also a victim of his own system, one's steel is in danger of not being ground sharp enough for effective attack. But not to hurt with an idea and the manner of expressing it proves that the cartoonist is nothing but a court jester whom the money monarchs like to have around, and when he dies they will say "he never hurt."
Arthur Henry Young (January 14, 1866 – December 29, 1943) was an American political cartoonist.
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While I had no great admiration for my own intelligence or my ability to understand political economy, neither did I have a servile respect for the intelligence of editors and publishers whom I had met, and who expected their writers and cartoonists to conform to a particular policy of their own. Think of spending one's life promoting and propagandizing the prejudices and political "principles" of a Frank Munsey or a Northcliffe or a Hearst! As a choice between accepting the political judgment of the average newspaper owner and my own judgment as to what was best for my country and the future of mankind, I voted in favor of myself. I'd make up my mind, and follow through. But the difficulty ahead was the small demand for my point of view in the editorial offices of successful newspapers and magazines.
Where was I headed? I didn't quite know. I had talent, facility, and a desire to produce-but steadily my market was diminishing. I fell back on illustrated jokes, and even here struck a snag. Tramps were no longer so funny to me as they had been. And my attitude toward the farmer had changed-I no longer wanted to depict him as a mere comic character. His life was all too often bound up with tragedy. The Populists had been right in many of the things they had said about the farmer's plight.