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[Concerning Harry & Meghan, the 2022 Netflix series about the Duke and Duchess of Sussex.] Unless you have a gaping void where your soul should be, y… - Helen Lewis
" "[Concerning Harry & Meghan, the 2022 Netflix series about the Duke and Duchess of Sussex.] Unless you have a gaping void where your soul should be, you will notice that the couple do seem to be genuinely smitten with each other. Yet—and this is where it gets tricky—they also appear to be in love with the idea of being "Harry and Meghan" (or, as they might put it, "H and M"). There's an uncomfortable Bonnie-and-Clyde, John-and-Yoko, folie-à-deux undercurrent throughout, as if taking on the Royal Family’s racism and the British press's lack of scruples has become their mission. Us against the world. That is a noble intention, but it has the side effect of centering their entire lives on two institutions that they despise. Do they really want to spend the next 40 years as small, angry planets trapped in the gravitational pull of the Windsors? And have they not heard of diminishing returns? This plotline might sustain Harry's book sales and one or two forgettable Netflix projects after that, but it ends with them delivering $150 birthday messages on Cameo by 2030.
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About Helen Lewis
Helen Lewis (born 30 September 1983) is a British journalist and a staff writer at The Atlantic. She is a former deputy editor of the New Statesman, and has also written for The Guardian, The Times and The Sunday Times.
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Alternative Names:
Helen Lewis-Hasteley
•
Helen Alexandra Lewis
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Additional quotes by Helen Lewis
What the government proposes is a radical rewriting of our understanding of identity: now it’s a question of an internal essence — a soul, if you will. Being a woman or a man is now entirely in your head. In this climate, who would challenge someone with a beard exposing their penis in a women’s changing room?
This is a tragic story, from start to finish. The imperial over-reach of a handful of trans activists, in trying to rewrite widely accepted ideas about gender by stealth, has done nothing to improve the lives of trans people. The time wasted by Stonewall and other organisations, which have spent more than a year chasing a legal change that wasn’t even a priority for those interviewed by the inquiry.
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That this play is at the Globe, the home of Shakespeare, only underscores that it is not in the Shakespearean tradition. The great English playwright is still revered today because he drove the possibilities of drama forward, creating characters with psychological depth and ambiguity. I, Joan is part of an older tradition, the medieval morality play. These pitted virtues and vices against one another for the soul of the protagonist: Greed and Sloth raged against Chastity and Patience. In I, Joan, that conflict has given way to one between Cisnormativity and Authenticity. I, Joans supporting characters exist not as people but as conduits for the moral lesson being delivered to the audience.
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